尸体，以其与死亡有关，极易滋生细菌和成为蝇蛆的温床，是一种为人忌讳的存在。诸如出现在城市各处角落的动物尸体，大多在死去不久就会被环卫工人处理掉。也有少数位于不显眼处，在食腐生物的繁衍过程中逐渐消失。无论何者，这些尸体都与巨大且亘古不变的人造建筑形成鲜明对比，它们既难被发现，也不被观看。
本组作品的创作理念，源自于西方油画如《伟大的红龙》中所感受到的巨大震撼，这种震撼同样被发现在动物的尸体身上，通过观察，许多动物的尸体也拥有悲伤或嗔怒的张力美感。这种主观的张力美感可通过特定取景及灯光渲染的方式被更广泛地感受到。
以上，动物的尸体与所有其他事物一样，同时存在丑陋与美感的辩证统一关系。本组作品通过摄影二维化的艺术处理，着重凸显出其中美感的一面，使一度被认为丑陋且为人忌讳的动物尸体被重新审视。以设想中该作品被观看的状态，命名为《凝视》。
本组作品的创作理念，源自于西方油画如《伟大的红龙》中所感受到的巨大震撼，这种震撼同样被发现在动物的尸体身上，通过观察，许多动物的尸体也拥有悲伤或嗔怒的张力美感。这种主观的张力美感可通过特定取景及灯光渲染的方式被更广泛地感受到。
以上，动物的尸体与所有其他事物一样，同时存在丑陋与美感的辩证统一关系。本组作品通过摄影二维化的艺术处理，着重凸显出其中美感的一面，使一度被认为丑陋且为人忌讳的动物尸体被重新审视。以设想中该作品被观看的状态，命名为《凝视》。
The corpse, because it is related to death, can easily breed bacteria and become a breeding ground for fly maggots, which is a taboo existence. For example, animal carcasses appearing in various corners of the city are mostly disposed of by sanitation workers shortly after they die. There are also a few located in inconspicuous places, gradually disappearing during the reproduction of scavengers. Either way, the corpses stand in stark contrast to the massive and timeless man-made structures that are difficult to find or view.
The creative concept of this group of works originates from the great shock felt in Western oil paintings such as "The Great Red Dragon". This shock is also found in animal corpses. Through observation, many animal corpses also have sadness or anger. tension beauty. This subjective beauty of tension can be felt more broadly through specific framing and lighting rendering.
Above, animal corpses, like all other things, have a dialectical unity of ugliness and beauty at the same time. Through the two-dimensional artistic processing of photography, this group of works highlights the aesthetic side of them, and makes the animal carcasses once considered ugly and taboo to be re-examined. It is named "Gaze" in the state in which the work is supposed to be viewed.
The creative concept of this group of works originates from the great shock felt in Western oil paintings such as "The Great Red Dragon". This shock is also found in animal corpses. Through observation, many animal corpses also have sadness or anger. tension beauty. This subjective beauty of tension can be felt more broadly through specific framing and lighting rendering.
Above, animal corpses, like all other things, have a dialectical unity of ugliness and beauty at the same time. Through the two-dimensional artistic processing of photography, this group of works highlights the aesthetic side of them, and makes the animal carcasses once considered ugly and taboo to be re-examined. It is named "Gaze" in the state in which the work is supposed to be viewed.
